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Pro

On a photo shoot as on a film set, I take care of the organisation so the creative team can focus on the image. Here is what I handle day to day, and the brands I have worked with.

  • Driving licence since 2016 (10 years)
  • Vans and utility vehicles up to 3.5 t

What I take care of

Pre-production

  • Crew coordination
  • Call sheets and road maps
  • Supplier relations and follow-up
  • Scheduling and bookings

Production

  • Crew supervision
  • Quality control of final visuals
  • Budget tracking and control
  • Catering management
  • Equipment management
  • Driving vans and utility vehicles (category B licence)

On set

Studios, locations, equipment and crew meals: photo shoots and film sets seen from the production side.

They trusted me

What they say

What the brands and crews I have worked with say.

“Enguerrand was a key part of my product shoot.”
Product shoot
“Meticulous organisation: clear call sheets, a crew on time, and catering everyone still talks about.”
Camille Martin (exemple)Beauty campaign
“Responsive and calm, even when the schedule fell apart the day before.”
Hugo Lambert (exemple)Commercial shoot
“He handled suppliers, equipment and budget without us having to worry. We could focus entirely on the images, and it shows in the final result.”
Léa Dubois (exemple)Autumn-winter lookbook
“Always a solution.”
Julien Roche (exemple)E-commerce shoot
“A real link between production and the set: he anticipates, warns and fixes.”
Nina Perrin (exemple)

Frequently asked questions

Answers to the questions I get asked most often. Can’t find yours? Message me on Instagram.

What do you take care of on a photo shoot or a film set?

Production, from preparation to the last day. In pre-production: crew coordination, call sheets and road maps, supplier relations, scheduling and bookings. On set: crew supervision, quality control of the final visuals, budgets, catering and equipment.

Do you work on photo or video?

Both: photo shoots and video shoots, in the studio and on location.

Which brands have you worked with?

Fashion, luxury and beauty houses, magazines and television: Dior, Hermès, Louis Vuitton, Guerlain, Vogue, Gala, Sézane, Levi’s, Tommy Hilfiger and La France a un incroyable talent, among others. The full list is on the Pro page.

How much does a production cost?

Every project is different: the rate depends on the number of days, the size of the crew and what needs organising. Send me your brief in a private message (dates, location, format, deliverables) and I will come back to you with a proposal.

What is the fastest way to reach you?

A private message on Instagram: that is where I reply fastest. Email and the contact form still work too.

Can you travel for a shoot?

Yes. I have held a category B driving licence since 2016 and I drive production vans and utility vehicles (up to 3.5 t): equipment, set or crew. Tell me the location and dates in a message and we will work out the logistics together.

How far in advance should I contact you?

As early as possible: preparation (crews, locations, bookings, equipment) is what holds a shoot together. Write to me anyway for a close date, I will tell you whether it is doable.

Do you handle catering and equipment?

Yes, managing catering and equipment is part of my job on a shoot.

Do you have a CV or service sheet to download?

Yes, both can be downloaded on the Pro page and the Contact page.

No ready-made answer yet

Ask me directly in a private message: that is where I reply fastest.

Message @enguerrand_berthier

Everything on one page

The service sheet sums up my missions and references on one A4 page, ready to attach to a quote or a production note.

Message me on Instagram
Download my service sheet Download my CV